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I thank the following journals for granting me permission to use previously published material: Cineaste for “The Return of the Repressed: The ‘Palestinian Wave’ in Recent Israeli Cinema” and “Ricochets” and Film Quarterly for “Drifting.” I also thank the following institutions and persons for lending me stills: Israel Film Archive G”G (Golan-Globus) Israeli Film Institute Nachshon Films Museum of Modern Art/Film Stills Archive Film Ventures International IsraFest Foundation InterPictures Forum Film Nathan Axelrod Yossef Shiloach Baruch Dienar, Yerach Gover and Yehuda Ne’eman. The Return of the Repressed: The Palestinian Wave in Recent Israeli Cinema The Focalization of Politics The Politics of FocalizationĢ49 Writing Between “the National” and “the Colonial” The Politics of Representation Revisited Addressing the Intertext Palestinians-in-Israel: Cinematic Citizenship in the Liminal Zone Independence, Nakba and the Visual Archive Iconographies of Spatial Anxiety The Arab-Jew and the Inscription of Memory The Mizrahi Cinema of Displacement Revisionist Cultural Practice Translation, Reception, and Traveling Postcolonialism

Personal Cinema and the Politics of Allegory The Context of Production Reflexivity, Parody and the Zionist Epic Personal Cinema and the Diverse New Waves The Seeds of Disillusionment The Foregrounding of Marginality The Hidden Face of Militarism The Signification of Style Marginality RevisitedĬhapter 5. The Representation of Sephardim/Mizrahim Orientalism and its Discontents The Bourekas and the Carnivalesque Narrating Nation and Modernization Rescue Fantasies and the Libidinal South Arab-Jews, Dislocation and Nostalgia The Imaginary of Inside/Outsideġ3 25 34 48 53 54 70 94 105 109 113 126 140 150 157Ĭhapter 4. Post-1948: The Heroic-Nationalist Genre State of Siege and Didactic Allegories The Orient and the Promethean Narrative Spectacle of War in the Wake of 1967 Chapter 3. Beginnings in the Yishuv: Promised Land and Civilizing Mission “Making the Desert Bloom:” The Production of Emptiness Imaging Palestine: Pioneer Sabras and Exotic Arabs The War of Languages Chapter 2.

#East west quantum lab symphonic choirs free download full

Library of Modern Middle East Studies: 78 ISBN: 978 1 84511 312 4 (hb) 978 1 84511 313 1 (pb)Ī full CIP record for this book is available from the British Library A full CIP record is available from the Library of Congress Library of Congress Catalog Card Number: available Printed and bound in India by Thomson Press India Ltd Except for brief quotations in a review, this book, or any part thereof, may not be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publisher. The right of Ella Shohat to be identified as the author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. 3 (1987), and “Ricochets,” Cineaste, Vol. “The Return of the Repressed: The Palestinian Wave in Recent Israeli Cinema,” Cineaste, Vol. Published in 2010 by I.B.Tauris & Co Ltd 6 Salem Road, London W2 4BU 175 Fifth Avenue, New York NY 10010 Distributed in the United States and Canada Exclusively by Palgrave Macmillan 175 Fifth Avenue, New York NY 10010 First printed in 1989 by University of Texas Press Copyright © 1989, 2010 Ella Shohat “Drifting” © 1987 by the Regents of the University of California, reprinted from Film Quarterly, Vol. Israeli Cinema East/West and the Politics of Representation Ella Shohat Her books include Taboo Memories, Diasporic Voices, Talking Visions, and with Robert Stam Unthinking Eurocentrism and Flagging Patriotism: Crises of Narcissism and AntiAmericanism. 75in IBBK008/Shohat ISBN: 978 1 84511 312 4 March 17, 2010Įlla Shohat is Professor of Cultural Studies at New York University.